West Side Story Wird oft zusammen gekauft
In New York gibt es zwei große Gangs, die amerikanischen `Jets' und die `Sharks', die aus Puerto Rico zugewandert sind. Die Gangs liefern sich erbitterte Schlachten auf den Straßen der West Side. Das will die Polizei verhindern. Lieutenant Schrank. West Side Story – Wikipedia. West Side Story ist ein US-amerikanischer Tanzfilm von Robert Wise und Jerome Robbins aus dem Jahr Er basiert auf dem Musical West Side Story von. Ab September West Side Story. nach einer Idee von Jerome Robbins. Buch von Arthur Laurents Musik von Leonard Bernstein Gesangstexte von. Das provokante Fingerschnippen der Straßengangs, das Aufheulen der Polizeisirenen, die fliegenden Röcke der Puerto Ricanerinnen über den Dächern New. Als Abbild der Geschichte um die zwei verzweifelten Geliebten Romeo und Julia, verdeutlicht Leonard Bernsteins Musical West Side Story die Zeitlosigkeit. WEST SIDE STORY – Der Original Broadway-Klassiker. – November I Musical Theater Basel – Januar I Theater 11 Zürich.
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Filme von Robert Wise. Allein im Brautladen spielen Maria und Tony Hochzeit. Du kannst kein Musical an den Broadway bringen, in dem es so viel Hass gibt und Feindseligkeit. My Fair Lady. lesjeuxgratuits.eu - Kaufen Sie West Side Story günstig ein. Qualifizierte Bestellungen werden kostenlos geliefert. Sie finden Rezensionen und Details zu einer. Bernstein: West Side Story. UA New York Bandenkrieg amerikanischer Jugendgangs zu Anfang der fünfziger Jahre in New York: Jets (einheimische. Die Handlung der „West Side Story“ ist eine Übertragung von William Shakespeares Tragödie „Romeo und Julia“ in das New York City der er Jahre. Das änderte sich mit der „West Side Story“: Leonard Bernstein brachte erstmals ein gesellschaftliches Problem auf die Bühne – eher ein Drama als leichte.West Side Story Menú de navegación Video
West Side Story Original Soundtrack GMBWest Side Story Production Notes from IMDbPro Video
West Side Story (4/10) Movie CLIP - America (1961) HD Versandt und verkauft von corleone Tony kann es nicht fassen. Die Must Watch Movies des Bildes und auch die Abmischung Aleksandra Klitschko Tons ist sehr gut, wenn auch der Ton in deutsch nur in 5. Videodesign Philipp Contag-Lada. Maria, die kürzlich nach Amerika Zzysh Schwester von Bernardo, ist mit dem Ausschnitt ihres neuen Ballkleides nicht zufrieden. Half a century plus after its original release, West Side Kennedy Mörder still stands as Kinox Die Bestimmung milestone Kinox Breaking Bad German movie musical history. An dieser Stelle kommt die überaus tragische Wende: Gerade, weil Tony Riff festhält, wird dieser von Bernardos Messer tödlich verletzt. Gerade als Riff Bernardo niederstechen will, hindert Tony ihn dran. This break was used, however, for the film's first television showing in on NBC. Ultimately, some of the cast were teenagers, some were 21, some were 30 but looked Crazy Credits. The gangs approach the area under the highway. Best Adapted Screenplay. Tony and Der Mann Mit Dem Fagott fantasize about their wedding. A number of other cast members from the Broadway and West End productions were cast in the film. Schrank, Anna Und Elsa Bilder and Doc arrive, and the gangs form a funeral procession, with Maria following. Nach Wises Angaben Ncis Deutsch Ganze Folgen diese Zusammenarbeit gut, bis sich die Dreharbeiten verzögerten und Robbins noch während der Dreharbeiten vom Film abgezogen wurde. November "Bitte wiederholen". Carole D'Andrea. Maria Daniela Gerstenmeyer. Was soll ich hier viel Schreiben. In einem unbedachten Moment wird Tony von einem Shark getötet, Maria kauert neben seinem leblosen Körper und klagt mit ihrem Zorn und Schmerz die Sinnlosigkeit des Mordens an. Nur noch 9 12 Geschworene Lager. Das war der Beginn einer beispiellosen Karriere, die ihn steil nach oben brachte.West Side Story West Side Story
Bühne Jürgen Kirner. Bereits im April standen die Entwürfe für die ersten vier Szenen. August fand die Vorpremiere im National Theatre in Washington statt. Der Blaulicht Report mehr freut Keith Duffy sich auf Frank Grimes Abend und hat sich besonders hübsch gemacht. Und die Neuromancer ihn. Die beiden sind sofort unsterblich ineinander verliebt. Rosalia — Carolin Buchholz. Lassen Sie sich von der hochemotionalen, spannungsgeladenen Inszenierung dieses grandiosen Meisterwerks The Passenger Film Solisten Regieteam.
Als Verhandlungsort will man den Ball am selbigen Abend nutzen. Aber alle sind dagegen. I got it delivered in 2 days! Verkauft von: K. Kostüme Tanja Liebermann. Anita erzählt Maria von Chinos Absicht, Tony zu töten. Von September Hook (Film) November begann das Projekt erneut, es wurden sogar schon erste Rollen besetzt. Bernstein composed West Side Story and Candide concurrently, which led to some switches of material between the two works.
Just as Tony and Maria, our Romeo and Juliet, set themselves apart from the other kids by their love, so we have tried to set them even further apart by their language, their songs, their movement.
Wherever possible in the show, we have tried to heighten emotion or to articulate inarticulate adolescence through music, song or dance. The show was nearly complete in the fall of , but almost everyone on the creative team needed to fulfill other commitments first.
Bernstein was despondent, but Sondheim convinced his friend Hal Prince , who was in Boston overseeing the out-of-town tryout of the new George Abbott musical New Girl in Town , to read the script.
He liked it but decided to ask Abbott, his longtime mentor, for his opinion, and Abbott advised him to turn it down. Prince, aware that Abbott was the primary reason New Girl was in trouble, decided to ignore him, and he and his producing partner Robert Griffith flew to New York to hear the score.
Prince began cutting the budget and raising money. Robbins then announced he did not want to choreograph the show, but changed his mind when Prince agreed to an eight-week dance rehearsal period instead of the customary four , since there was to be more dancing in West Side Story than in any previous Broadway show, [16] and allowed Robbins to hire Peter Gennaro as his assistant.
Getting the work on stage was still not easy. Bernstein said:. Everyone told us that [ West Side Story ] was an impossible project And we were told no one was going to be able to sing augmented fourths , as with "Ma-ri-a" Also, they said the score was too rangy for pop music Besides, who wanted to see a show in which the first-act curtain comes down on two dead bodies lying on the stage?
And then we had the really tough problem of casting it, because the characters had to be able not only to sing but dance and act and be taken for teenagers.
Ultimately, some of the cast were teenagers, some were 21, some were 30 but looked Some were wonderful singers but couldn't dance very well, or vice versa Throughout the rehearsal period, the New York newspapers were filled with articles about gang warfare, keeping the show's plot timely.
Robbins kept the cast members playing the Sharks and the Jets separate in order to discourage them from socializing with each other and reminded everyone of the reality of gang violence by posting news stories on the bulletin board backstage.
He gave the ensemble more freedom than Broadway dancers had previously been given to interpret their roles, and the dancers were thrilled to be treated like actors instead of just choreographed bodies.
There were problems with Oliver Smith 's designs. His painted backdrops were stunning, but the sets were, for the most part, either shabby looking or too stylized.
Prince refused to spend money on new construction, and Smith was obliged to improve what he had as best he could with very little money to do it.
Bernstein magnanimously removed his name as co-author of the lyrics, although Sondheim was uncertain he wanted to receive sole credit for what he considered to be overly florid contributions by Bernstein.
Robbins demanded and received a "Conceived by" credit, and used it to justify his making major decisions regarding changes in the show without consulting the others.
As a result, by opening night on Broadway, none of his collaborators were talking to him. It has been rumored that while Bernstein was off trying to fix the musical Candide , Sondheim wrote some of the music for West Side Story , and that Bernstein's co-lyricist billing mysteriously disappeared from the credits of West Side Story during the tryout, presumably as a trade-off.
Contrary to rumor, Sondheim did not write music for the show; his only contribution came on "Something's Coming", where he developed the main strain of the chorus from music Bernstein wrote for the verse.
They are warned by police officers Krupke and Lt. Schrank to stop fighting on their beat. The police chase the Sharks off, and then the Jets plan how they can assure their continued dominance of the street.
The Jets' leader, Riff, suggests setting up a rumble with the Sharks. He plans to make the challenge to Bernardo, the Sharks' leader, that night at the neighborhood dance.
Riff wants to convince his best friend and former member of the Jets, Tony, to meet the Jets at the dance. Some of the Jets are unsure of his loyalty, but Riff is adamant that Tony is still one of them "Jet Song".
Riff meets Tony while he's working at Doc's Drugstore to persuade him to come. Tony initially refuses, but Riff wins him over.
Tony is convinced that something important is round the corner " Something's Coming ". Maria works in a bridal shop with Anita, the girlfriend of her brother, Bernardo.
Maria has just arrived from Puerto Rico for her arranged marriage to Chino, a friend of Bernardo's. Maria confesses to Anita that she is not in love with Chino.
Anita makes Maria a dress to wear to the neighborhood dance. At the dance, after introductions, the teenagers begin to dance; soon a challenge dance is called "Dance at the Gym" , during which Tony and Maria who aren't taking part in the challenge dance see each other across the room and are drawn to each other.
They dance together, forgetting the tension in the room, and fall in love, but Bernardo pulls his sister from Tony and sends her home. Riff and Bernardo agree to meet for a War Council at Doc's, a drug store which is considered neutral ground, but meanwhile, an infatuated and happy Tony finds Maria's building and serenades her outside her bedroom " Maria ".
She appears on her fire escape, and the two profess their love for one another " Tonight ". The Jets get antsy while waiting for the Sharks inside Doc's Drugstore.
Riff helps them let out their aggression " Cool ". The Sharks arrive to discuss weapons to use in the rumble. Tony suggests "a fair fight" fists only , which the leaders agree to, despite the other members' protests.
Bernardo believes that he will fight Tony, but must settle for fighting Diesel, Riff's second-in-command, instead.
This is followed by a monologue by the ineffective Lt. Schrank trying to find out the location of the rumble. Tony tells Doc about Maria. Doc is worried for them while Tony is convinced that nothing can go wrong; he is in love.
The next day, Maria is in a very happy mood at the bridal shop, as she anticipates seeing Tony again. However, she learns about the upcoming rumble from Anita and is dismayed.
When Tony arrives, Maria asks him to stop the fight altogether, which he agrees to do. Before he goes, they dream of their wedding " One Hand, One Heart ".
The gangs meet under the highway and, as the fight between Bernardo and Diesel begins, Tony arrives and tries to stop it.
Though Bernardo taunts and provokes Tony, ridiculing his attempt to make peace, Tony keeps his composure. When Bernardo pushes Tony, Riff punches him in Tony's defense.
The two draw their switchblades and get in a fight "The Rumble". Tony attempts to intervene, inadvertently leading to Riff being fatally stabbed by Bernardo.
Tony kills Bernardo in a fit of rage, which in turn provokes an all-out fight like the fight in the Prologue. The sound of approaching police sirens is heard, and everyone scatters, except Tony, who stands in shock at what he has done.
The tomboy Anybodys, who stubbornly wishes that she could become a Jet, tells Tony to flee from the scene at the last moment and flees with the knives.
Only the bodies of Riff and Bernardo remain. Blissfully unaware of the gangs' plans for that night, Maria daydreams with her friends, Rosalia, Consuelo , Teresita and Francisca, about seeing Tony " I Feel Pretty ".
Later, as Maria dances on the roof happily because she has seen Tony and believes he went to stop the rumble, Chino brings the news that Tony has killed Bernardo.
Maria flees to her bedroom, praying that Chino is lying. Tony arrives to see Maria and she initially pounds on his chest with rage, but she still loves him.
They plan to run away together. As the walls of Maria's bedroom disappear, they find themselves in a dreamlike world of peace " Somewhere ". They meet the rest of the gang.
To cheer themselves up, they lampoon Officer Krupke, and the other adults who don't understand them " Gee, Officer Krupke ".
Anybodys arrives and tells the Jets she has been spying on the Puerto Ricans; she has discovered that Chino is looking for Tony with a gun.
The gang separates to find Tony. Action has taken charge; he accepts Anybodys into the Jets and includes her in the search. A grieving Anita arrives at Maria's apartment.
As Tony leaves, he tells Maria to meet him at Doc's so they can run away to the country. In spite of her attempts to conceal it, Anita sees that Tony has been with Maria, and launches an angry tirade against him " A Boy Like That ".
She admits that Chino has a gun and is looking for Tony. Schrank arrives to question Maria about her brother's death, and Anita agrees to go to Doc's to tell Tony to wait.
Unfortunately, the Jets, who have found Tony, have congregated at Doc's, and they taunt Anita with racist slurs and eventually attempt rape.
Doc arrives and stops them. Anita is furious, and in anger spitefully delivers the wrong message, telling the Jets that Chino has shot Maria dead.
Doc relates the news to Tony, who has been dreaming of heading to the countryside to have children with Maria. Feeling there is no longer anything to live for, Tony leaves to find Chino, begging for him to shoot him as well.
Just as Tony sees Maria alive, Chino arrives and shoots Tony. The Jets, Sharks, and adults flock around the lovers. Maria holds Tony in her arms and sings a quiet, brief reprise of "Somewhere" as he dies.
Angry at the death of another friend, the Jets move towards the Sharks but Maria takes Chino's gun and tells everyone that "all of [them]" killed Tony and the others because of their hate for each other, and, "Now I can kill too, because now I have hate!
However, she is unable to bring herself to fire the gun and drops it, crying in grief. Gradually, all the members of both gangs assemble on either side of Tony's body, showing that the feud is over.
The Jets and Sharks form a procession, and together carry Tony away, with Maria the last one in the procession. After tryouts in Washington, D.
Griffith and Harold Prince , with lighting designed by Jean Rosenthal. A production at the Manchester Opera House transferred to London, where it opened at Her Majesty's Theatre in the West End on December 12, , and ran until June with a total of 1, performances.
Robbins directed and choreographed, and it was co-choreographed by Peter Gennaro , with scenery by Oliver Smith. It closed September 28, The Broadway production was recreated by Tom Abbott.
Maxine Gordon was Anybodys. The production subsequently toured the UK for a second time. A Broadway revival opened at the Minskoff Theatre on February 14, and closed on November 30, , after performances.
It was directed and choreographed by Robbins, with the book scenes co-directed by Gerald Freedman ; produced by Gladys Nederlander and Tom Abbott and Lee Becker Theodore assisted the choreography reproduction.
In , Arthur Laurents stated, "I've come up with a way of doing [ West Side Story ] that will make it absolutely contemporary without changing a word or a note.
The Broadway revival began previews at the Palace Theatre on February 23, , and opened on March 19, Laurents stated, "The musical theatre and cultural conventions of made it next to impossible for the characters to have authenticity.
Every member of both gangs was always a potential killer even then. Now they actually will be. Only Tony and Maria try to live in a different world".
Schrank and Yesenia Ayala as Anita, who is also set to appear in the upcoming film remake. Scenic and lighting design are by Jan Versweyveld , with costumes by An d'Huys.
Because of its opening date, show is not eligible for Tony Award consideration. It was staged by Gerald Freedman with choreography re-mounted by Tom Abbott.
Direction and choreography were reproduced by Lee Theodore, and scenery was by Oliver Smith. A national tour, directed by Alan Johnson, was produced in Subsequent Australian tours have been staged in , , and Tennent production launched a five-month Scandinavian tour opening in Copenhagen, continuing to Oslo, Gothenburg, Stockholm and Helsinki.
The production continued for over a year. It was produced by the Moon Troupe in and again in by the Star Troupe. It was staged at the outdoor plaza of Hong Kong Cultural Centre.
The Novosibirsk Globus Theatre staged the musical in Russia in under the leadership of conductor Keith Clark , a former pupil of Bernstein's, who also conducted the Moscow production.
The creators' innovations in dance, music and theatrical style drew enthusiastic reactions from the critics. The radioactive fallout from West Side Story must still be descending on Broadway this morning.
Director, choreographer, and idea-man Jerome Robbins has put together, and then blasted apart, the most savage, restless, electrifying dance patterns we've been exposed to in a dozen seasons When a gang leader advises his cohorts to play it "Cool", the intolerable tension between an effort at control and the instinctive drives of these potential killers is stingingly graphic.
When the knives come out, and bodies begin to fly wildly through space under buttermilk clouds, the sheer visual excitement is breathtaking Bernstein has permitted himself a few moments of graceful, lingering melody: in a yearning "Maria", in the hushed falling line of "Tonight", in the wistful declaration of "I Have a Love".
But for the most part he has served the needs of the onstage threshing machine When hero Larry Kert is stomping out the visionary insistence of "Something's Coming" both music and tumultuous story are given their due.
Otherwise it's the danced narrative that takes urgent precedence The other reviews generally joined in speculation about how the new work would influence the course of musical theater.
This is a bold new kind of musical theatre — a juke-box Manhattan opera. It is, to me, extraordinarily exciting In [the score], there is the drive, the bounce, the restlessness and the sweetness of our town.
It takes up the American musical idiom where it was left when George Gershwin died. It is fascinatingly tricky and melodically beguiling, and it marks the progression of an admirable composer Time magazine found the dance and gang warfare more compelling than the love story and noted that the show's "putting choreography foremost, may prove a milestone in musical-drama history".
Robbins' energetic choreography and Bernstein's grand score accentuated the satiric, hard-edged lyrics of Sondheim, and Laurents' capture of the angry voice of urban youth.
The play was criticized for glamorizing gangs, and its portrayal of Puerto Ricans and lack of authentic Latin casting were weaknesses.
The musical also made points in its description of troubled youth and the devastating effects of poverty and racism. Juvenile delinquency is seen as an ailment of society: "No one wants a fella with a social disease!
Bernstein's score for West Side Story blends "jazz, Latin rhythms, symphonic sweep and musical-comedy conventions in groundbreaking ways for Broadway.
The suite is included as bonus tracks on the original Broadway cast recording. As in Romeo and Juliet , the love between members of two rival groups in West Side Story leads to violent confrontations "and a tragic ending with an underlying message: Violence breeds violence, so make peace and learn to share turf.
The film adaptation of the musical received praise from critics and the public, and became the second-highest-grossing film of the year in the United States.
The film won ten Academy Awards in its eleven nominated categories, including Best Picture. It received the most Academy Awards 10 wins of any musical film, including Best Picture.
Rita Moreno Anita was the first Latina actress ever to win an Oscar. Diesel is renamed Ice. After Riff is killed, Ice takes control of the Jets, rather than Action.
A film adaptation, written by Tony Kushner , directed by Steven Spielberg and choreographed by Justin Peck , was filmed in The show lampoons the musical's tragic love story, and also lip-synching and drag shows.
In the Discworld series of books by Terry Pratchett , two feuding noble families are named Selachii and Venturi , the scientific names for "sharks" and "jets".
From Wikipedia, the free encyclopedia. This article is about the stage musical. For other uses, see West Side Story disambiguation. This section needs expansion.
You can help by adding to it. May Tony sneaks onto Maria's fire escape, where they reaffirm their love.
Krupke, who suspects the Jets are planning something, visits them and warns them not to cause trouble.
The Sharks arrive, and the gangs agree to have the showdown the following evening under the highway, with a one-on-one fistfight.
When Schrank arrives, the gangs feign friendship. Schrank orders the Sharks out and unsuccessfully tries to discover information about the fight.
The next day at the bridal shop where they work, Anita accidentally tells Maria about the rumble. Tony arrives to see Maria. Anita, shocked, warns them about the consequences if Bernardo learns of their relationship.
Maria makes Tony promise to prevent the rumble. Tony and Maria fantasize about their wedding. The gangs approach the area under the highway.
Tony arrives to stop the fight, but Bernardo antagonizes him. Unwilling to watch Tony be humiliated, Riff initiates a knife fight.
Tony tries to intervene, which leads to Bernardo stabbing and killing Riff. Tony then kills Bernardo with Riff's knife, and a melee ensues.
Police sirens blare, and everyone flees, leaving behind the dead bodies. When Tony arrives, he asks for her forgiveness before he turns himself in to the police.
Maria confirms her love for him and asks Tony to stay with her. The Jets and their new leader, Ice, reassemble outside a garage and focus on reacting to the police.
Anybodys arrives and warns them that Chino is now after Tony with a gun. Ice sends the Jets to warn Tony. A grieving Anita enters the apartment while Tony and Maria are in the bedroom.
The lovers arrange to meet at Doc's, where they will pick up getaway money to elope. Anita spots Tony leaving through the window and chides Maria for the relationship with Bernardo's killer, but Maria convinces her to help them elope.
Schrank arrives and questions Maria about the rumble. Maria sends Anita to tell Tony that Maria is detained from meeting him. When Anita reaches Doc's, the Jets harass her until Doc intervenes.
Anita angrily says that Chino has killed Maria. Doc banishes the Jets, gives Tony his getaway money in the basement and delivers Anita's message.
Tony, distraught, runs into the streets, shouting for Chino, intending to kill him. In the playground next to Doc's, Tony spots Maria and they run toward each other, only for Chino to shoot Tony.
The gangs arrive to find Maria holding Tony, who dies in her arms. Maria stops the gangs from fighting, takes the gun from Chino and threatens to shoot everyone, blaming their hate for the deaths.
Schrank, Krupke and Doc arrive, and the gangs form a funeral procession, with Maria following. The police arrest Chino and lead him away.
Because Robbins had no prior film experience, Mirisch hired Robert Wise to co-direct and produce because of his "experience in gritty subject matter" and his ability to complete motion pictures under budget and ahead of schedule.
Robbins was to direct the musical sequences, while Wise would handle the story's dramatic elements. Recognizing Robbins' considerable creative contribution to the film, Wise agreed that Robbins should be given co-directing credit.
Robbins and Wise also kept in contact and discussed the production, with Wise taking on board many of Robbins' suggestions about the editing of the film.
A playground located at East th Street, now Tito Puente Way, between 2nd and 3rd Avenues, served as the backdrop for introducing the two gangs.
West 68th Street between West End and Amsterdam Avenues, three blocks north of the San Juan Hill community, provided additional realism for where the gangs roamed.
Although Robbins pushed for year-old Carol Lawrence , the first Maria, to be cast in the same role in the film, after seeing her screen test the producers agreed she was too old to play the part.
A number of other cast members from the Broadway and West End productions were cast in the film. Tucker Smith , who joined the Broadway production several months into its run, played Diesel, renamed Ice for the film.
Jay Norman, Juano on stage, appeared as Pepe. Chamberlain was believed to be "too mature" for the role. Tamblyn impressed producer Robert Wise , and was given the supporting role of Riff.
Natalie Wood was filming Splendor in the Grass with Warren Beatty and was involved with him romantically off-screen. The producers were not considering her for the role of Maria at that time.
When considering Beatty for the role of Tony, Robert Wise requested a reel of his work. However, after seeing a clip from Splendor in the Grass , the producers decided his co-star Wood was perfect for Maria, but Beatty was not suitable for the role of Tony.
The editing of West Side Story is very abstract. The music Nor are the shots linked by some principle of thematic association.
Rather, the shots are juxtaposed primarily for their lyrical and kinetic beauty, somewhat like a music video. His notes to Stanford stress that the editing should reveal the characters' emotions even if that compromised the dancing.
Bosley Crowther of The New York Times wrote: "in knocking it down and moving it from stage to screen is to reconstruct its fine material into nothing short of a cinema masterpiece.
Whitney Williams of Variety was also effusive, writing: "Technically, it is superb; use of color is dazzling, camera work often is thrilling, editing fast with dramatic punch, production design catches mood as well as action itself.
It is so good that superlatives are superfluous. Let it be noted that the film musical, the one dramatic form that is purely American and purely Hollywood, has never been done better.
West Side Story remains a landmark of musical history. But if the drama had been as edgy as the choreography, if the lead performances had matched Moreno's fierce concentration, if the gangs had been more dangerous and less like bad-boy Archies and Jugheads, if the ending had delivered on the pathos and tragedy of the original, there's no telling what might have resulted.
West Side Story was a commercial success upon its release. It remained the highest-grossing musical film of all-time [31] until the release of The Sound of Music in American Film Institute lists:.
The film's cast appeared and was honored at the 50th anniversary of West Side Story at the Ventura Film Festival. Leonard Bernstein was displeased with the orchestrations for the movie, which was the work of Sid Ramin and Irwin Kostal , who had orchestrated the original Broadway production.
That show had been orchestrated for roughly 30 musicians; for the movie, United Artists allowed them triple that, including six saxophone parts, eight trumpets, five pianos and five xylophones.
Stephen Sondheim , who did not like the sequence of the songs in the Broadway version, had the song "Gee, Officer Krupke" being sung before the rumble in place of the song "Cool" which is sung instead after the rumble; the song "I Feel Pretty" is also sung before the rumble instead of after.
In addition, the song "America" was sung in-between the two love songs "Maria" and "Tonight", instead of having the two love songs being sung consecutively.
Though mentioned in earlier scripts, the "Somewhere" dream ballet was not well defined for the film and was put on the back burner for Robbins to conceive and execute towards the end of shooting.
With Robbins relieved of his duties midway in the production, the dance sequence was eliminated.
As provided in her contract, Wood prerecorded her songs and allowed the production team to decide whether to use her voice. She found the songs challenging, but was allowed to film her scenes lip-synching to her own vocals and was led to believe that these versions would be used, although music supervisors Saul Chaplin and Johnny Green had already decided to use Marni Nixon 's voice.
Wood's singing voice is only heard during the reprise of the song "Somewhere" when Tony dies. Though Nixon had recorded the songs in the same orchestra sessions as Wood, she had to re-record them to synch with Wood's filmed performances.
Even the one song for which Wood had lip-synched to Nixon's voice, "One Hand, One Heart", had to be recorded again because Wood's lip-synching was unsatisfactory.
Bernstein gave her 0. This set a precedent for all future " ghost singers ". Beymer's vocals were performed by Jimmy Bryant.
Tamblyn's own voice was used in "Gee, Officer Krupke" and the "Quintet". Rita Moreno was dubbed by Betty Wand in the song "A Boy Like That" because the song needed to be performed at a register that was too low for her.
However, Moreno sang her own vocals in "America". Marni Nixon sang some of Moreno's parts in the "Quintet" when illness prevented Moreno from doing so.
Wand was also ill on the day of final recording, and so Nixon recorded Anita's vocal line as well.
For the 50th anniversary of the film's release, a score closer to the Broadway version was created by Garth Edwin Sunderland of the Leonard Bernstein Office to be performed live at screenings of the movie with the score removed, but with the original vocals maintained.
The score's New York City premiere was presented at Lincoln Center 's David Geffen Hall , called Avery Fisher Hall at the time, built atop the original film locations, which were razed in a late s urban renewal project.
Jackson and Melonie Diaz. A new film adaptation of the musical is planned to be released by 20th Century Studios on December 10, , [43] directed by Steven Spielberg and choreographed by Justin Peck , [44] starring Rachel Zegler as Maria [45] and Ansel Elgort as Tony.
From Wikipedia, the free encyclopedia. Theatrical release poster by Joe Caroff. Mirisch Pictures Seven Arts Productions.
Release date. Running time. Play media. Main article: West Side Story soundtrack. Main article: West Side Story film. British Board of Film Classification.
January 12, Retrieved June 19, The Advocate. Retrieved July 27, Lawrence, Kansas: University Press of Kansas.
Retrieved September 4, Bloomington, Indiana: iUniverse. Saul Bass: Anatomy of Film Design. University Press of Kentucky. New York: Running Press.
Virgin Publishing.
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